Issue No. 95 / September 2014 "Art vs. Image"

Table of contents

    • 6 Preface
    • 40 Gertrud Koch False Reconciliation / For a conceptual and practical differentiation of art and image
    • 52 Peter Osborne “Art” versus “image”?
    • 56 Daniela Hammer-Tugendhat Studies Oblivious to Power / A statement by Daniela Hammer-Tugendhat on “Bildwissenschaft” (Image Studies)
    • 62 on image questions / Harun Farocki responds to Texte zur Kunst
    • 68 Digital Reflex / Avery Singer and Ed Atkins respond to Texte zur Kunst
    • 78 Philipp Ekardt In Defense of Styling
    • 96 David Joselit Against Representation
    • 104 REFUSING PRESTIGE / A conversation between Georges Didi-Huberman, Ludger Schwarte and Philipp Ekardt
    • 124 Peter Geimer Image and Art / Notes on a relationship
    • 140 Charlotte Klonk BEYOND BLACK AND WHITE / Reception-aesthetic reflections on the distinction between image and art
    • 156 Inge Hinterwaldner deep layers of design
  • Bildstrecke

    • 170 Marlie Mul Poppin' Pollock
  • Rotation

    • 177 The Greatest Artist of the Nineteenth Century / George Baker on T. J. Clark’s “Picasso and Truth”
  • Liebe Arbeit Kino

    • 188 Design for living / Esther Buss über „Exhibition“ von Joanna Hogg
  • KLANG KÖRPER

    • 192 Profaning the Unprofanable / Tavia Nyong'o on “Why Do The Heathen Rage?” by The Soft Pink Truth
  • Short Waves

    • 196 Chris Reitz on “No Problem: Cologne / New York 1984–1989” at David Zwirner, New York  /  Eva Wilson über Thomas Struth bei Max Hetzler, Berlin  /  Megan Francis Sullivan on “Other Primary Structures” at the Jewish Museum, New York  /  Jenny Jaskey on Jutta Koether at Reena Spaulings Fine Art, New York  /  Gürsoy Dogtas über Anne Imhof bei Deborah Schamoni, München  /  Johanna Burton on Anicka Yi at 47 Canal, New York  /  Fiona McGovern über Heike-Karin Föll bei Mathew, Berlin  /  Kerstin Schankweiler über Georges Adéagbo bei Wien Lukatsch, Berlin
  • Reviews

    • 223 Heilige Scheiße. Mit Barney im Midlife-Chrysler / Julia Voss über Matthew Barney im Haus der Kunst, München
    • 227 MUD Club / Jakob Schillinger on Sam Pulitzer at Artists Space, New York
    • 232 Zwischen Wolke und Palmzweig / Sebastian Egenhofer über Marcel Broodthaers im Museum für Gegenwartskunst, Basel
    • 238 Playing the Werkcharakter / Kerstin Stakemeier über Richard Hamilton in der Tate ­Modern, London
    • 243 BODY AND SOUL REDUX / Daniel Horn on Paul Chan at the Schaulager Basel
    • 247 United States of Biennials / Jens Hoffmann on the Whitney Biennial, Carnegie International, and “Made in L.A.”
    • 252 Biography as Alibi / Petra Lange-Berndt on Sigmar Polke at the Museum of Modern Art, New York
    • 257 A Farewell to Arts / Monica Amor on Lygia Clark at the Museum of Modern Art, New York
    • 261 Exit the Political / Edward Dimendberg on the 14th International Architecture Exhibition, Venice
    • 266 Natur-Gewalt / Mechtild Widrich über Jonas Dahlbergs Entwurf für das Utøya-Mahnmal in Norwegen
  • Nachrufe / Obituaries

  • Edition