Cookies disclaimer
Our site saves small pieces of text information (cookies) on your device in order to deliver better content and for statistical purposes. You can disable the usage of cookies by changing the settings of your browser. By browsing our website without changing the browser settings you grant us permission to store that information on your device. I agree

Issue No. 85 / March 2012 "Art History Revisited"

Table of contents

    • 6 Preface
    • 38 Tobias Vogt The Making of the Ready-Made
    • 58 Mirjam Wittmann Tracing the Index / Images of Theory in Art History
    • 70 Max Rosenberg Through the Wall, Slowly / Joseph Beuys's Economy of Transformation
    • 82 Marina Gerber Interpretative Reflex / On the Moscow Artists' Group Collective Actions and the Concept of Reflection in Soviet Art Theory
    • 96 Magnus Schäfer Painting after Modernism / Canonical Historiography and Recursive Differentiation
    • 106 Oona Lochner ... and Cut! / Film and the Filmic in Gordon Matta-Clark
    • 122 Sven Beckstette Exit from the Book / On the Influence of Concrete Poetry on 1960s Art
  • Bildstrecke

    • 140 Cyrill Lachauer Picture Spread
  • Rotation

    • 146 Helmut Draxler Ein Hohelied des taktischen Manövers / Über "Great wits jump. Laurence Sterne und die bildende Kunst" von Werner Busch
    • 150 Sabeth Buchmann Artists Unlimited / Über "Die Wiederkehr des Künstlers" von Sabine Fastert, Alexis Joachimides und Verena Krieger
  • Liebe Arbeit Kino

    • 155 Bert Rebhandl Die Abgründe des amerikanischen Traums / Über die Filme "American Dreams (Lost and Found)" und "Landscape Suicide" von James Benning
    • 159 Laurence A. Rickels Rest in Pieces / On Ulrike Ottinger at Neuer Berliner Kunstverein

    • 164 Bettina Brandl-Risi Gegen die vierte Wand / Über René Pollesch in der Galerie Buchholz, Berlin
    • 169 Marie Muracciole Exhibition/Inhibition / On "Paul Klee Polyphonies" at Cité de la Musique, and "Danser sa vie" at Centre Pompidou, both Paris
  • State of the Art

    • 174 Gregory Sholette Let's do it again, Comrads; let's occupy the Museum! / On Occupy Museums in New York
  • Short Waves

    • 180 Mathieu Malouf on Simon Denny at Friedrich Petzel Gallery, New York  /  Kerstin Stakemeier über Annette Wehrmann in der Galerie Dorothea Schlüter  /  Barbara Hess über "Multiplizieren ist menschlich. 45 Jahre Edition Block 1966-2011" bei Edition Block, Berlin  /  Sven Lütticken on Agency at Objectif Exhibitions, Antwerp  /  Daniela Stöppel über Michael Kienzer in der Galerie Elisabeth & Klaus Thoman, Innsbruck  /  David Reisman on Andrea Bowers at Andrew Kreps Gallery, New York  /  Fiona McGovern über Sandra Peters in den Kunstsaelen Berlin
  • Reviews

    • 202 Gunther Reski Das Angeignte muss aufs Eckige / Über Michel Majerus im Kunstmuseum Stuttgart
    • 207 Caroline Busta Bureaucracy to Ploughshares / On Peter Fend at Essex Street, New York
    • 211 Philipp Ekardt Alles ausser Powerdressing / Über Walter van Beirendonck im ModeMuseum Provincie Antwerpen
    • 216 Magdalena Nieslony Wiedererkennen statt sehen / Über Günther Förg in der Galerie Bärbel Grasslin, Frankfurt/M.
    • 220 Eric de Bruyn Colonial Specters / On Sven Augustijnen at de Appel Arts Centre, Amsterdam
    • 225 Ines Kleesattel Kritische Informationen / Über Teresa Burga im Württembergischen Kunstverein, Stuttgart
    • 230 Christine Mehring Conceptual Atlantic / On "Light Years: Conceptual Art and the Photograph: 1964-1977" at the Art Institute of Chicago
  • Nachrufe auf Mike Kelley / Mike Kelley Obituaries

  • Edition