• 4 PREFACE
• 30 UNDER REVIEW / Roundtable between Claire Bishop, Jarrett Earnest, Eva Hayward, and Eric Otieno Sumba, moderated by Christian Liclair
• 70 THE FORM OF CRITICISM / By Peter Geimer

Reviews

• 86 MIXED SIGNALS / Amin Alsaden on “Signals: How Video Transformed the World” at the Museum of Modern Art, New York
• 91 “AMEN” / Domenick Ammirati and Paige K. Bradley on Sarah Rapson at Maxwell Graham, New York
• 98 WIE „NACHHALLIG“ IST EINE REZENSION? / Andreas Beyer über wissenschaftliche Besprechungen allgemein und seine ausgebliebene zur jüngsten Donatello-Ausstellung im Besonderen
• 102 COLLECTING OUT OF/AS SOLIDARITY / Sabeth Buchmann and Ana Hoffner ex-Prvulovic* on “No Feeling is Final. The Skopje Solidarity Collection” at the Kunsthalle Wien
• 107 REENVISIONING HUMANITY / micha cárdenas on Wangechi Mutu at the New Museum, New York
• 112 ART CRITICISM AT 422 PPM / Maja and Reuben Fowkes on Kent Chan at Gasworks and Tomás Saraceno at the Serpentine Gallery, London
• 116 PARABOLIC PARABLES / Nic Guagnini on Fred Eversley at David Kordansky Gallery, New York
• 120 MOTORBOATING / Bruce Hainley on Richard Hawkins at Reena Spaulings Fine Art, Los Angeles
• 126 UNBEFRISTETE SCHULDEN / Oliver Hardt über Cameron Rowland im MMK in Frankfurt/M.
• 132 ON SPIDERS AND NETWORKS OF MEANING / Violaine Huisman on Germaine Richier at the Centre Pompidou, Paris (and on Francis Ponge)
• 136 LOSING FACE / David Joselit on Josh Kline at the Whitney Museum of American Art, New York
• 140 SICHTBARKEITSKONFLIKTE / Antonia Kölbl über „Re-Connect. Kunst und Kampf im Bruderland“ im Museum der bildenden Künste Leipzig
• 147 PERPETUAL CRISIS / Carlos Kong and Genevieve Lipinsky de Orlov on “Art Writing in Crisis,” edited by Brad Haylock and Megan Patty
• 152 CHEESE ANALOG / Stephanie LaCava on New Translations of Pier Paolo Pasolini’s Books “Ragazzi di vita” and “Teorema”
• 156 WER VERGISST, WIRD NICHT VERGESSEN / Sonja Lau über Angela Melitopoulos im Museo Reina Sofía, Madrid
• 161 ASTRO BLACK / Peter L’Official on Lauren Halsey at the Metropolitan Museum of Art, New York
• 166 “WHO DOESN’T WANT TO BE FREE?” / Thomas Love on Counterpublic 2023, St. Louis, Missouri
• 171 THE PROPRIETARY IMPASSE INHERENT IN POSSESSIVE INDIVIDUALISM: IDENTITY, POLITICS, PROPERTY, AND THE PURSUIT OF (AESTHETIC) FREEDOM / Jaleh Mansoor on “Art’s Properties” by David Joselit
• 176 SAPPHO’S VIOLETS / Charlotte Matter on Sarah Bernhardt at the Petit Palais, Paris
• 182 SIX REFLECTIONS ON WOLFGANG TILLMANS IN 2023 / Tom McDonough on Wolfgang Tillmans at the Museum of Modern Art, New York, and the Art Gallery of Ontario, Toronto
• 187 KORRESPONDENZEN / Isabel Mehl über Gabriele Münter im Bucerius Kunst Forum, Hamburg
• 192 SEEING SPOTS / John Miller on Bridget Riley at Galerie Max Hetzler, Berlin
• 196 A DEFINITIONAL IMPULSE / Benjamin O. Murphy on “Signals: How Video Transformed the World” at the Museum of Modern Art, New York
• 201 FIELDING THE NECROPASTORAL EXCHANGE / Mark Pieterson on Dominique Knowles at Hannah Hoffman Gallery, Los Angeles
• 205 AGAINST THE WHEELS OF THE TIME-CLOCK / Paulina Pobocha on Robert Smithson at PPK, New York
• 209 KRITISCHE INFRASTRUKTUREN / Barbara Reisinger über Jenni Tischer in der ­Galerie Krobath, Wien
• 214 INSTITUTIONALISIERTE INSTITUTIONSKRITIK / Lynn Rother über „Wege der Kunst“ im Museum Rietberg, Zürich, ­sowie „Zerrissene Moderne“ und „Der Sammler Curt Glaser“ im Kunstmuseum Basel
• 220 LIFELINES / Amanda Schmitt on Gertrud Goldschmidt (Gego) at the Solomon R. Guggenheim Museum, New York
• 226 IMPORTUNATE FEMINISM / Caroline Lillian Schopp on “Ophelia’s Got Talent” by Florentina Holzinger
• 231 SEHEN UND GESEHEN WERDEN / Anna Sinofzik über Julia Scher im Museum Abteiberg, Mönchengladbach
• 237 TO THE POINT: GG’s PLAKATIVER AKTIVISMUS / Beate Söntgen über die Guerrilla Girls im MK&G Hamburg
• 242 THE BREATHLESS HAGIOGRAPHY OF KARL LAGERFELD / Taylor Syfan on Karl Lagerfeld at the Metropolitan Museum of Art, New York
• 247 SITUATIONAL TRAGEDY / Ana Teixeira Pinto on Emily Wardill at KW Institute for Contemporary Art, Berlin

Obituary

• 251 O. K. WERCKMEISTER (1934–2023) / By Keith Holz

Edition

• Wade Guyton
• Sarah Morris