
THE LONELY DOLLS Alissa Bennett on Early Images and Imaginations of Marilyn Monroe and Candy Darling
What’s more welcome in difficult times than an effective distraction – for example in the form of a die-hard obsession? A good ten years ago, our new columnist Alissa Bennett published her zine Dead Is Better, driven by a keen interest in the lives and premature deaths of celebrities such as Judy Garland, Peaches Geldof, and River Phoenix. The stapled pages assembled an addictive collection of personal prose, based on in-depth internet (re)search results derived from dubious sources. For her TZK column, Gladstone Gallery director Bennett pursues her interest in prominent personalities and their legacies, rummaging up remnants of their eventful lives found on the world wide web and its auction house catalogues. Under the title “Fiction/Nonfiction,” borrowed from the former New York gallery of the same name, Bennett’s series of texts begins by taking up the cudgels for conning. If this seems untenable in times when bullshitting, fake news, and falsity dominate the political landscape, you’d better read on.
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