The work of Andreas Slominski is characterized on the one hand by a serious and conceptional approach, on the other hand they live from ludic, humorous and absurd ulterior motives. The artist, born 1959 in Meppen/Germany follows his "trappingconcept" since the Nineties. His "traps" are taken from the everyday world and range between sculpture and functional object, but they are always meant to operate metaphorically or as models/prototypes. His installations and often eccentric actions and interventions are programmatic for his oeuvre and show his special sense for subtle perceptions and hidden structures.