• 4 Preface
• Isabelle Graw THAT BELONGS TO ME! / Reflections on Property and Value in Artistic Production
• 52 THE COLONIAL LIVES OF PROPERTY, ABOLITIONIST STRUGGLES, AND ALTERNATIVE IMAGINARIES / Brenna Bhandar in Conversation with Daniel Loick
• 70 Alice Creischer and Andreas Siekmann The Social Physicist Alex Pentland / A Song by Alice Creischer and Andreas Siekmann
• 74 David Lloyd The Racial Thing / On Appropriation, Black Studies, and Thingliness
• 96 Kerstin Stakemeier AN UNROMANTIC ART / An Attempt to Think through David Lloyd’s “The Racial Thing”
• 110 Tobias Vogt DRAWING SHARES
• 126 Hannah Proctor Why Love Your Neighbour? / The Dissent on Private Property between Freud and Reich

Image spread

• Julian Irlinger Gift

New Development

• 152 Isabelle Graw LEARNING FROM KIPPENBERGER?

Rotation

• 165 Schlimmer Wohnen / Tyna Fritschy über „Dead Pledges. Debt, Crisis, and Twenty-First-Century Culture“ von Annie McClanahan
• 168 Tradition vs. Grid / Danny Hayward on Simone White’s “Dear Angel of Death”

Reviews

• 176 Overcoming Isms / Aruna D’Souza on “The Shape of Shape” at the Museum of Modern Art, New York
• 180 REPARATORY CARTOGRAPHIES IN MUSIC / Karina Griffith on “Afro-Sonic Mapping: Tracing Aural Histories via Sonic Transmigrations” at Haus der Kulturen der Welt, Berlin
• 184 Zurück in die Gegenwart / Gürsoy Doğtaş über „Tell me about yesterday tomorrow“ im NS-Dokumentationszentrum München
• 188 DEFINING THE LIMITS OF A SYSTEM / Melanie Gilligan on “Hans Haacke: All Connected” at the New Museum, New York
• 192 Realism in Balenciaga / Mikael Brkic on Hito Steyerl at Neuer Berliner Kunstverein, Berlin
• 196 KUPFERSTECHER & BUCHDRUCKER / Nadja Abt über Antje Majewski in der Galerie ­neugerriemschneider, Berlin
• 200 WE WILL TELL OURSELVES THROUGH VIDEO / Maite Garbayo-Maeztu on “Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and 1980s” at the Museo Nacional Centro de Arte Reina Sofía, Madrid
• 204 Making Metaphors Useful / Ben Caton on Richard Sides at the Kunstverein Braunschweig
• 209 VON BALKEN UND SPLITTERN / Elisa R. Linn über León Ferrari in der Galerie KOW, Berlin
• 213 It’s No Use Crying / Els Roelandt on Anne Collier at Gladstone Gallery, Brussels
• 216 Arten der Abstraktion / Martin Prinzhorn über „Objects Recognized in Flashes“ im mumok, Wien
• 220 On the Shores of Inequality / Boaz Levin on “Ground Zero” at Schinkel Pavillon, Berlin
• 224 sogar das geländer ist kreativ / Kathrin Bentele über Gili Tal bei gta Ausstellungen, Zürich
• 228 MIRROR MODE / Maija Timonen on Lucy McKenzie at Cabinet, London
• 232 COCK/CULTURE / Christian Liclair über Monica Majoli in der Galerie Buchholz, New York
• 236 FLESH FROM CHEESE / Cory John Scozzari on Anne Speier at Galerie Meyer Kainer, Vienna
• 240 PYRAMID SCHEMES / Julia Pelta Feldman on Agnes Denes at the Shed, New York

Nachrufe

• 245 Douglas Crimp (1944–2019)
  by Rosalyn Deutsche
• 249 MARTIN WARNKE (1937–2019)
  by Peter Geimer
• 253 Thomas Elsaesser (1943−2019)
  by Gertrud Koch

Edition

• Lucy McKenzie
• Tobias Rehberger