Cookies disclaimer
Our site saves small pieces of text information (cookies) on your device in order to deliver better content and for statistical purposes. You can disable the usage of cookies by changing the settings of your browser. By browsing our website without changing the browser settings you grant us permission to store that information on your device. I agree

Issue No. 95 / September 2014 "Art vs. Image"

Table of contents

    • 6 Preface
    • 40 Gertrud Koch False Reconciliation / For a conceptual and practical differentiation of art and image
    • 52 Peter Osborne “Art” versus “image”?
    • 56 Daniela Hammer-Tugendhat Studies Oblivious to Power / A statement by Daniela Hammer-Tugendhat on “Bildwissenschaft” (Image Studies)
    • 62 on image questions / Harun Farocki responds to Texte zur Kunst
    • 68 Digital Reflex / Avery Singer and Ed Atkins respond to Texte zur Kunst
    • 78 Philipp Ekardt In Defense of Styling
    • 96 David Joselit Against Representation
    • 104 REFUSING PRESTIGE / A conversation between Georges Didi-Huberman, Ludger Schwarte and Philipp Ekardt
    • 124 Peter Geimer Image and Art / Notes on a relationship
    • 140 Charlotte Klonk BEYOND BLACK AND WHITE / Reception-aesthetic reflections on the distinction between image and art
    • 156 Inge Hinterwaldner deep layers of design
  • Bildstrecke

    • 170 Marlie Mul Poppin' Pollock
  • Rotation

    • 177 The Greatest Artist of the Nineteenth Century / George Baker on T. J. Clark’s “Picasso and Truth”
  • Liebe Arbeit Kino

    • 188 Design for living / Esther Buss über „Exhibition“ von Joanna Hogg
  • KLANG KÖRPER

    • 192 Profaning the Unprofanable / Tavia Nyong'o on “Why Do The Heathen Rage?” by The Soft Pink Truth
  • Short Waves

    • 196 Chris Reitz on “No Problem: Cologne / New York 1984–1989” at David Zwirner, New York  /  Eva Wilson über Thomas Struth bei Max Hetzler, Berlin  /  Megan Francis Sullivan on “Other Primary Structures” at the Jewish Museum, New York  /  Jenny Jaskey on Jutta Koether at Reena Spaulings Fine Art, New York  /  Gürsoy Dogtas über Anne Imhof bei Deborah Schamoni, München  /  Johanna Burton on Anicka Yi at 47 Canal, New York  /  Fiona McGovern über Heike-Karin Föll bei Mathew, Berlin  /  Kerstin Schankweiler über Georges Adéagbo bei Wien Lukatsch, Berlin
  • Reviews

    • 223 Heilige Scheiße. Mit Barney im Midlife-Chrysler / Julia Voss über Matthew Barney im Haus der Kunst, München
    • 227 MUD Club / Jakob Schillinger on Sam Pulitzer at Artists Space, New York
    • 232 Zwischen Wolke und Palmzweig / Sebastian Egenhofer über Marcel Broodthaers im Museum für Gegenwartskunst, Basel
    • 238 Playing the Werkcharakter / Kerstin Stakemeier über Richard Hamilton in der Tate ­Modern, London
    • 243 BODY AND SOUL REDUX / Daniel Horn on Paul Chan at the Schaulager Basel
    • 247 United States of Biennials / Jens Hoffmann on the Whitney Biennial, Carnegie International, and “Made in L.A.”
    • 252 Biography as Alibi / Petra Lange-Berndt on Sigmar Polke at the Museum of Modern Art, New York
    • 257 A Farewell to Arts / Monica Amor on Lygia Clark at the Museum of Modern Art, New York
    • 261 Exit the Political / Edward Dimendberg on the 14th International Architecture Exhibition, Venice
    • 266 Natur-Gewalt / Mechtild Widrich über Jonas Dahlbergs Entwurf für das Utøya-Mahnmal in Norwegen
  • Nachrufe / Obituaries

  • Edition