Issue No. 127 / September 2022 "Resortization"
Table of contents
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- 4 PREFACE
- 42 WELCOME TO THE RESORT / Six Theses on the Latest Structural Transformation of the Artistic Field and Its Consequences for Value Formation
- 70 I CAN SAY NO TO THE CONTEXT / A roundtable discussion with Jutta Koether, Julie Mehretu, and Avery Singer, moderated by Jakob Schillinger
- 88 ASSET LOGICS
- 98 MILLION-MILE MALAISE
- 108 A VISIT TO HAUSER & WIRTH SOMERSET
- 116 ART VENTURE / Allan Schwartzman in conversation with Amanda Schmitt
- 132 CRINGE WITH A CONCH HORN / Cristina Nord on “The White Lotus”
- 142 AUTONOMY AS FARCE / Ten Thoughts on Resortization
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Image spread
- 151 FREE PRIVATE CITIES / BY ALEX WISSEL
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Liebe Arbeit Kino
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Reviews
- 164 DURCHARBEITEN DER WIDERSTÄNDE / Ilka Becker über Maria Eichhorns „Relocating a Structure“ im Deutschen Pavillon der Biennale von Venedig
- 169 WHAT THE SOUNDS DO NOT TELL US / Magnus Schaefer on Tarek Atoui at Serralves Museum of Contemporary Art, Porto
- 173 MALEN NACH AUSCHWITZ / Christian Kravagna über Maryan im Museum of Contemporary Art North Miami
- 178 SOON YOU'LL GET BETTER / Domenick Ammirati on Josephine Pryde at Reena Spaulings Fine Art, New York
- 182 ZWISCHEN GUERILLA UND WELLNESS / Susanne von Falkenhausen über Michaela Melián im KINDL, Berlin
- 186 SCRIPTS AND AFTERLIVES / Mladen Bizumic on Studio for Propositional Cinema at Museum Abteiberg, Mönchengladbach
- 190 IM ZEITRAUM DER ATEMWENDE / Toni Hildebrandt über Georgia Sagri in der Kunsthalle Friart Fribourg
- 196 ART HISTORY AND ANACHRONISM / Jesús Carrillo on “Exchanges of Political Print Culture. Germany – Mexico 1900–1968” at Museo Reina Sofía, Madrid
- 200 ZWISCHEN EVIDENZ UND POESIE / Marietta Kesting über Carrie Mae Weems im Württembergischen Kunstverein Stuttgart
- 204 GENUINELY FAKE / Ramona Heinlein über Julian Turner in der Galerie Filiale, Frankfurt/M.
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Obituaries
- 209 SAM GILLIAM (1933–2022) / Julia Bernard
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Edition