Issue No. 128 / December 2022 "Art History Update"
Table of contents
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- 4 PREFACE
- 30 CLIO ALSO WRITES POETRY … / On Art Historiography and the Silence of the Archives
- 40 THE PERFORMATIVE NATURE OF THE NARRATIVE / A Conversation between Manuel Borja-Villel and Ana Magalhães on Art Museum Collections and Art History
- 56 HOW MUCH PERSON IS IN THE PRODUCT? / On the Metonymic Interrelation between Works of Art and Their Authors
- 72 ON LOSS – OR FEELINGS THEREOF
- 84 UNCANNY PROVENANCE: ART HISTORY AND ITS DOUBLE
- 98 DECOLONIZING THE CANON?
- 108 THE UNSETTLING / Anarthistorical Call of Acknowledgment in the Necrocene
- 122 TERRESTRIAL PASSAGE: DUCHAMP AFTER SZAPOCZNIKOW
- 134 EMMELYN BUTTERFIELD-ROSEN ON HER BOOK “MODERN ART AND THE REMAKING OF HUMAN DISPOSITION”
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New Development
- 146 WORLDING GLOBAL ART HISTORIES
- 152 RENAISSANCE ART FROM A GLOBAL PERSPECTIVE
- 158 AUTHORITY AND THE FAMILY: PICASSO IN ACHRAFIEH
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Image spread
- 163 ALL THINGS MUST PASS / BY TIMO SEBER
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Rotation
- 172 FORGET NOTHING / Karen Benezra on “Memory Art in the Contemporary World: Confronting Violence in the Global South” by Andreas Huyssen
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Reviews
- 176 ZWISCHEN PARODIE UND POMP / Sophia Rohwetter über Katrina Daschner in der Kunsthalle Wien
- 181 MUSIC MAKES YOU FEEL LIKE DANCING / Blake Oetting on Martin Beck at 47 Canal, New York
- 185 SPRECHENDE KULISSEN / Katharina Hausladen über Angharad Williams im Kunstverein für die Rheinlande und Westfalen, Düsseldorf
- 190 DRAWING OUT / Talia Kwartler on Louise Bourgeois at Gropius Bau, Berlin
- 194 STORM WATCH / Thomas Eggerer über Winslow Homer im Metropolitan Museum of Art, New York
- 200 EYE FOR I / Daniel Horn on the 12th Berlin Biennale for Contemporary Art
- 205 AUFSTAND DER LIEGENDEN KÖRPER / Charlotte Matter über Grace Schwindt im Kunstmuseum St. Gallen
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Obituaries
- 210 CLAES OLDENBURG (1929–2022) / Paulina Pobocha
- 214 JEAN-LUC GODARD (1930–2022) / Volker Pantenburg
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Edition