Issue No. 133 / March 2024 "Restitution"
Table of contents
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- 4 PREFACE
- 20 RESTITUTION AND RESONANCES / A Roundtable with Memory Biwa and Bénédicte Savoy, moderated by Mahret Ifeoma Kupka and Irene V. Small
- 44 PALIMPSESTS OF PROVENANCE
- 54 REEXAMINING THE 1921 “POTLATCH COLLECTION” / Kwakwaka’wakw Definitions of Property and the Politics of Repatriation
- 72 RE-ENCHANTING CULTURAL HERITAGE
- 84 AIR RIGHTS
- 100 AGAINST THE BOTANY OF DEATH
- 112 NOTES THAT MIGHT, OR MIGHT NOT, BE ABOUT A STONE / An Artistic Contribution by Valerie Asiimwe Amani and Rehema Chachage
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Image spread
- 123 UNTITLED (AFTER RICHARD WILLIAMS) / By Frida Orupabo
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KLANG KÖRPER
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Reviews
- 138 RIVER REBELLION / Jadine Collingwood on the Black Reconstruction Collective at the Chicago Architecture Biennial
- 142 ANIMAL CROSSING / Astrid Mania über Lin May Saeed (und Renée Sintenis) im Georg Kolbe Museum, Berlin
- 146 INVISIBLE SISTERS / Alice Blackhurst on “Women in Revolt! Art and Activism in the UK 1970–1990” at Tate Britain, London
- 152 „TIME COLLAPSES IN ON ITSELF; IT IS NOT LINEAR; IT IS A BOOMERANG.“ / Florentine Rungrama Muhry über Isaac Julien im K21, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
- 158 STASIS QUO / Eric Otieno Sumba on Helena Uambembe at ZOLLAMT MMK, Frankfurt am Main
- 162 DER ZWEIGLEISIGE TURNER / Antonia Kölbl über J. M. W. Turner im Kunstbau der Städtischen Galerie im Lenbachhaus, München
- 166 AN IMPROBABLE COMPARISON / Benjamin O. Murphy on Ana Mendieta at SESC Pompeia and Marta Minujín at Pinacoteca do Estado, São Paulo
- 170 THE WORLD COULD BE ANYTHING / Matthew Cheale on Ridykeulous at Nottingham Contemporary
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Obituaries
- 174 HARALD FALCKENBERG (1943–2023) / Jonathan Meese
- 177 CATHERINE CHRISTER HENNIX (1948–2023) / Benjamin D. Piekut
- 181 ANTONIO NEGRI (1933–2023) / Katja Diefenbach
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Edition